An Afternoon Well Spent at The Roman Baths
Last year, the Roman
Baths welcomed over one million visitors. A record number of tourists, school
groups, university students and residents of the World Heritage City alike
flocked to explore one of Bath’s most established landmarks.
Even
on a cloudy day, the waters here are
mineral green, somehow heightened in colour by the
butterscotch stone that encloses the ancient baths below modern street
level. Filled with rainwater that percolates from the Mendip Hills, the water
temperature of 46°C is a result of
geothermal energy that rises from deep in the earth’s crust.
Steam
curls from the surface, casting figures that wander along the edge in shrouds
of mist. The baths themselves are just as cloudy, stained with an orange rust
that indicates the rise and fall of iron-rich water throughout its years of
existence. My desire to test the healing waters for myself wanes, however, when
I discover that it flows through a series of lead pipes laid when Britain was
still an occupied nation.
The
Roman use of the baths began around 60-70AD when a temple was built in honour
of the goddess, Sulis. People came here to heal, relax, socialise and worship.
The adjoining museum is scattered with artefacts that speak of how much life
once existed here. I particularly enjoy the audio-visual element of the
exhibition, a result of recent lottery funding granted to the heritage site. Actors
dressed in period costume animate what it was like to live, work and worship at
the Aquae Sulis.
Statues
of emperors – Caesar, Claudius, Augustus – look down at the steaming water,
faces nonchalant to the selfie sticks and camera flashes that dominate this
section of the Roman Baths. Although erected when the Sacred Spring was restored
in the eighteenth century, these figures feel very much included in the essence
of the location. So much history overlaps
here. Examples of architecture from various eras can be viewed from this slice
of the past. The gothic symmetry of Bath Abbey. The contemporary blend of Stall
Street. It’s a good place to watch the passage of time. I suppose that’s why
the statues are placed where they are. To observe and admire.
Though,
there’s nothing quite like being level with the Roman Baths. Below the terrace,
support pillars carved from limestone rise. Made visible are ancient pathways
that people once walked across to make use of the waters. My feet touch architecture
constructed when civilisation still believed in such things as higher power and
healing water. That thought humbles me somewhat. All of this is available for
public viewing – the opportunity to sit with feet dangling over crumbling
ledges and write, or simply wonder at the history your fingertips can touch.
I’d say it’s an afternoon well spent.
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